I begin with the Opera Hamlet, and then the sporting events of Sunday and other TV viewing, then give an update on the opening of the County Cricket season with Durham playing a relatively unknown MCC side in Abu Dhabi where the use of a pink ball is being tested in this day night match, having also listened to the announcement of how expenses are to be controlled in the next Parliament.
For some reason I assumed that Hamlet is a modern opera similar to work such as Peter Grimes and Salome. It was quickly evident that this was music in the grand opera style and at the interval I learnt that the previous performance in New York had been a century ago. It was not until using the Internet did I discover that the work was created nearly 150 years ago by the French composer Ambroise Thomas, with a libretto by Michel Carre and Jules Barber based on a French adaptation of Shakespeare’s play by Alexandre Dumas.
The Opera is long, three hours, with five acts and one interval of half an hour between acts two and three. My first reaction was of excitement as about 100 chorus lined up as the court of Queen Gertrude of Denmark being crowned again as the new wife of Claudius, the new King following the death of his brother and with Hamlet noticeably absent. The King and Queen leave to prepare for the wedding banquet and Hamlet and Orphelie sings a love duet and then her brother Laerte entrusts the care of his sister to Hamlet while he is away in Norway. They go to the banquet but he declines. His friends Horatio and Marcellus tell soldiers they have seen the ghost of dead King and they look for Hamlet to recount their experience direct.
Hamlet is advised of the appearance of his father on the ramparts who then appears to Hamlet and tells his son he was poisoned by his brother. He seeks vengeance but asks that his widow be spared. Hamlet swears to carry out his father’s wishes.
My initial excitement that this was not a modern opera but one in grand style with the kind of powerful chorus expected from the Met and its full orchestra. However at the opera developed I was reminded of my reaction to Simon Boccanegra which had all the trappings of grand opera including some sumptuous sets but lacked the Wow factor. I have decided that for me there has to be power and moving solos and interactions which engage as in other forms of theatre and in through film. This is a powerful work and the introductions to each act merit at much attention as the singing. For me I have to admit there was something lacking.
The major difference between the Shakespeare play and the Opera is the role allocated to Orphelie. In the second Act she expresses concern at the sudden indifference of Hamlet towards her and his mother presses the young woman be patient and not leave the court. The mother believes she can help although she and her husband subsequently conclude that Hamlet has become disturbed and not himself. Hamlet engages some players to perform a creation of his devising in which the King in murdered by poisoning so the brother can gain the crown. The play has the desired effect with the King angry, especially when Hamlet takes the Crown from him Before the assembled court..
The Third Act commences with Hamlet musing, to be or not to be, and catches the King seeking death from remorse about what he has done, believing he will be condemned to hell. Hamlet is shocked to find that his father’s adviser, who is also Orphelie’s father, was in on the plot and this further affects Hamlet’s attitude towards his betrothed. He tells Orphelie to get herself to the nunnery and accuses his mother of the crime. As she cannot set the ghost she believes her son has become mad and he honouring what his father has said does not attempt to harm her.
The fourth act is devoted to Orphelie’s growing disturbance before she kills herself. In the last act, which commences with the two grave diggers Hamlet is confronted by the brother of Orphelie when unaware she has killed herself. When he realises what has happened he blames the King and the girl’s father rather than himself and kills the King, then dying from his wounds after fighting with Laerte.
Simon Keenlyside is a very intense and introspective actor appropriate for the part but lacks the ability to engage the audience and gain their sympathy for his predicament. He behaves outrageously towards Orphelie only he is responsible for her death and is just as bad a person, as the man who murdered his father. Marlis Petersen who plays Orphelie was only advised she was taking the role, and not as understudy a couple of days before the performance and she continued to complete her then current production until two days before opening, coached about the role at a distance and limited opportunity to get to know the other principles, to rehearse with them and to find her way around the Opera House. She was impressive as is James Morris as Claudius.
I was impressed but did not come away with a memorable experience alongside those of Butterfly, Carmen, Aida, Il Travatore and La Traviata, or the Met Productions of La Boheme and Pagliacci seen and heard on the Met Player. There was a club like atmosphere with the auditorium with people talking to each other. There was a discussion about Cineworld disappointment and the recent commencement of showings from Convent Garden and Glynebourne. I advised about the Odeon development and someone mentioned that the full list of showings for next season ahd been announced with 11 productions and these were mentioned during the interval. The Film Theatre has also confirmed taking a contract. The new season opens with Wagner’s Das Rheingold October 9th and I shall also look forward to Verdi’s Don Carlo in December Il Travatore in April with Delora Zikick a year in April and Wagner’s Die Walkure in May. I have an open mind about Placido Domingo in Gluck’s Iphigenie en Tauride which I will want to find out more and also Puccini’s La Fancuilla Del West. I must sort out what is happening at Cineworld and Odeon’s over the rest of this year.
Today the chairman and interim chief executive of the new independent unit for the payment of MP salaries and their expenses announced their decisions, laid before Parliament with immediate effect for the new Parliament. The only media criticism appeared to be the decision to allow one connected person, not just relatives, to be employed and paid for from public funds. The approach seemed to be reasonable and the individual and combined other changes likely to discourage some good people from seeking election as well as discouraging those who had previously exploited the system. The big change is that there is no payment of allowances, only payment of expenses following submission of receipts. Everything will then be published on line with immediate effect. The new body will nor authorise new leaving Parliament resettlement grants which will have be sorted along with pay and pensions and for which the new body is responsible for setting. There also remains the issue of a compliance office which at the moment the Commons appears to be against because it would remove the present role of their present committee to a significant extent.
The main sporting event on Saturday and Sunday was the second Formula 1 race in Australia and what I saw it proved a much better race than the first although the main issue was when to pit to change from the practice tyres.
It was the decision of Jenson Button, who had started 4th , to pit when he did, and change to dry weather slick tyres despite the threat of rain which made his car faster than competitors and when Vettel for the second race in succession had to retire from his pole and leading position this let Jenson into the lead which he then did not look likely to lose. His team mate and former World Champion did not do as well and appeared put out by the success of his newly appointed team mate. He had started only in 11th and moved through the field well but when challenging Alonso for fourth he was involved with a collision with Red Bull Mark Webber and finished 6th. He blamed the team tactics. After two races Button is third and Hamilton fourth in the diver’s championship. Their team are now second in the constructors championship with Ferrari already showing the way with their two cars occupying the first two places in the race.
I enjoyed Lark Rise to Candleford more this Sunday than last where Laura had become preoccupied with the competing intentions of her former beau who has returned to the area, and her educated reporter fiancée. This week the future of teh post office was under threat but the community rallied around and the post mistress used her knowledge and connection to thwart the threat.
I have decided that there are three good performers and one outstanding in America has got talent this year, the outstanding is Crystal Bowersox who reminds strongly of Janice Joplin. She is a single mother and has a twin brother via her father who has been seen on camera but not in the audience so there is something of a backstory yet to be disclosed.
The greater part of Monday was spent listening to BBC Radio Wear’s commentary from Abu Dhabi where they were meeting an MCC team in a four day championship style event with teh twist of a afternoon and evening game under floodlights using the new pink ball considered better to see and better wearing that the white. The pitch was described as flat and the heat intense so whoever won the toss would have the chance of batting long and wearing out the fielding team. Durham won this important toss and ended the day 329 for three wickets with the magnificent Di Venuto starting when he left off last season and making 131 before being stumped. Coetzer who knows he will have to fight to keep his place in championship games was cautious but ended the day not out 123. Blenkenstein had looked promising bowled when 41 and Ian Blackwell started well with 13 when the day ended.
There were several ways to tune into commentary via the BBC sports, the ESPN Cricket information site and the Durham Club who also have a live comment chat line in operation for the first time. There were also long and interesting chats during the day with the Chairman of MCC, the Chairman of Durham, Geoff Boycott and Durham bowlers Mathew Claydon and Steve Harmison. It was disclosed that Abe Morkel the South African is to return for the 20 20 and hopefully redeem his first involvement two years ago. New Zealand big hitting batsman is likely to be the second overseas player but this has not been confirmed.
Sunderland, as expected failed miserably at Anfield where they have not scored a goal in the Premiership and usually lose. The result was 3.0 to home side. The gap between Sunderland and the third relegation spot is only 8 points with Hull having a game in hand so two losses and two wins to Hull could see the positions reversed. Newcastle tonight appeared determined to move towards guaranteeing their Premiership status next season before the end of Easter. Notts Forest in third place battle hard but their poor away form continued although they remain in third position. Notts Forest have to win all their remaining six games to finish with 88 points. Two wins from Newcastle’s remaining seven games and Notts Forest cannot catch them. Cardiff would have to win all seven games and Newcastle lose all their to end the season with the same number of points, but given even if this happened Newcastle would have lose their goal difference advantage of 29 to be forced into the playoffs. In fact the next home game on Easter Monday could see Newcastle’s return to the premiership, although if they win away on Saturday and Notts Forest lose, also away, they would become certainties with 86 points achieved and Forest only a possible 85. Monday’s game is also being televised.
For some reason I assumed that Hamlet is a modern opera similar to work such as Peter Grimes and Salome. It was quickly evident that this was music in the grand opera style and at the interval I learnt that the previous performance in New York had been a century ago. It was not until using the Internet did I discover that the work was created nearly 150 years ago by the French composer Ambroise Thomas, with a libretto by Michel Carre and Jules Barber based on a French adaptation of Shakespeare’s play by Alexandre Dumas.
The Opera is long, three hours, with five acts and one interval of half an hour between acts two and three. My first reaction was of excitement as about 100 chorus lined up as the court of Queen Gertrude of Denmark being crowned again as the new wife of Claudius, the new King following the death of his brother and with Hamlet noticeably absent. The King and Queen leave to prepare for the wedding banquet and Hamlet and Orphelie sings a love duet and then her brother Laerte entrusts the care of his sister to Hamlet while he is away in Norway. They go to the banquet but he declines. His friends Horatio and Marcellus tell soldiers they have seen the ghost of dead King and they look for Hamlet to recount their experience direct.
Hamlet is advised of the appearance of his father on the ramparts who then appears to Hamlet and tells his son he was poisoned by his brother. He seeks vengeance but asks that his widow be spared. Hamlet swears to carry out his father’s wishes.
My initial excitement that this was not a modern opera but one in grand style with the kind of powerful chorus expected from the Met and its full orchestra. However at the opera developed I was reminded of my reaction to Simon Boccanegra which had all the trappings of grand opera including some sumptuous sets but lacked the Wow factor. I have decided that for me there has to be power and moving solos and interactions which engage as in other forms of theatre and in through film. This is a powerful work and the introductions to each act merit at much attention as the singing. For me I have to admit there was something lacking.
The major difference between the Shakespeare play and the Opera is the role allocated to Orphelie. In the second Act she expresses concern at the sudden indifference of Hamlet towards her and his mother presses the young woman be patient and not leave the court. The mother believes she can help although she and her husband subsequently conclude that Hamlet has become disturbed and not himself. Hamlet engages some players to perform a creation of his devising in which the King in murdered by poisoning so the brother can gain the crown. The play has the desired effect with the King angry, especially when Hamlet takes the Crown from him Before the assembled court..
The Third Act commences with Hamlet musing, to be or not to be, and catches the King seeking death from remorse about what he has done, believing he will be condemned to hell. Hamlet is shocked to find that his father’s adviser, who is also Orphelie’s father, was in on the plot and this further affects Hamlet’s attitude towards his betrothed. He tells Orphelie to get herself to the nunnery and accuses his mother of the crime. As she cannot set the ghost she believes her son has become mad and he honouring what his father has said does not attempt to harm her.
The fourth act is devoted to Orphelie’s growing disturbance before she kills herself. In the last act, which commences with the two grave diggers Hamlet is confronted by the brother of Orphelie when unaware she has killed herself. When he realises what has happened he blames the King and the girl’s father rather than himself and kills the King, then dying from his wounds after fighting with Laerte.
Simon Keenlyside is a very intense and introspective actor appropriate for the part but lacks the ability to engage the audience and gain their sympathy for his predicament. He behaves outrageously towards Orphelie only he is responsible for her death and is just as bad a person, as the man who murdered his father. Marlis Petersen who plays Orphelie was only advised she was taking the role, and not as understudy a couple of days before the performance and she continued to complete her then current production until two days before opening, coached about the role at a distance and limited opportunity to get to know the other principles, to rehearse with them and to find her way around the Opera House. She was impressive as is James Morris as Claudius.
I was impressed but did not come away with a memorable experience alongside those of Butterfly, Carmen, Aida, Il Travatore and La Traviata, or the Met Productions of La Boheme and Pagliacci seen and heard on the Met Player. There was a club like atmosphere with the auditorium with people talking to each other. There was a discussion about Cineworld disappointment and the recent commencement of showings from Convent Garden and Glynebourne. I advised about the Odeon development and someone mentioned that the full list of showings for next season ahd been announced with 11 productions and these were mentioned during the interval. The Film Theatre has also confirmed taking a contract. The new season opens with Wagner’s Das Rheingold October 9th and I shall also look forward to Verdi’s Don Carlo in December Il Travatore in April with Delora Zikick a year in April and Wagner’s Die Walkure in May. I have an open mind about Placido Domingo in Gluck’s Iphigenie en Tauride which I will want to find out more and also Puccini’s La Fancuilla Del West. I must sort out what is happening at Cineworld and Odeon’s over the rest of this year.
Today the chairman and interim chief executive of the new independent unit for the payment of MP salaries and their expenses announced their decisions, laid before Parliament with immediate effect for the new Parliament. The only media criticism appeared to be the decision to allow one connected person, not just relatives, to be employed and paid for from public funds. The approach seemed to be reasonable and the individual and combined other changes likely to discourage some good people from seeking election as well as discouraging those who had previously exploited the system. The big change is that there is no payment of allowances, only payment of expenses following submission of receipts. Everything will then be published on line with immediate effect. The new body will nor authorise new leaving Parliament resettlement grants which will have be sorted along with pay and pensions and for which the new body is responsible for setting. There also remains the issue of a compliance office which at the moment the Commons appears to be against because it would remove the present role of their present committee to a significant extent.
The main sporting event on Saturday and Sunday was the second Formula 1 race in Australia and what I saw it proved a much better race than the first although the main issue was when to pit to change from the practice tyres.
It was the decision of Jenson Button, who had started 4th , to pit when he did, and change to dry weather slick tyres despite the threat of rain which made his car faster than competitors and when Vettel for the second race in succession had to retire from his pole and leading position this let Jenson into the lead which he then did not look likely to lose. His team mate and former World Champion did not do as well and appeared put out by the success of his newly appointed team mate. He had started only in 11th and moved through the field well but when challenging Alonso for fourth he was involved with a collision with Red Bull Mark Webber and finished 6th. He blamed the team tactics. After two races Button is third and Hamilton fourth in the diver’s championship. Their team are now second in the constructors championship with Ferrari already showing the way with their two cars occupying the first two places in the race.
I enjoyed Lark Rise to Candleford more this Sunday than last where Laura had become preoccupied with the competing intentions of her former beau who has returned to the area, and her educated reporter fiancée. This week the future of teh post office was under threat but the community rallied around and the post mistress used her knowledge and connection to thwart the threat.
I have decided that there are three good performers and one outstanding in America has got talent this year, the outstanding is Crystal Bowersox who reminds strongly of Janice Joplin. She is a single mother and has a twin brother via her father who has been seen on camera but not in the audience so there is something of a backstory yet to be disclosed.
The greater part of Monday was spent listening to BBC Radio Wear’s commentary from Abu Dhabi where they were meeting an MCC team in a four day championship style event with teh twist of a afternoon and evening game under floodlights using the new pink ball considered better to see and better wearing that the white. The pitch was described as flat and the heat intense so whoever won the toss would have the chance of batting long and wearing out the fielding team. Durham won this important toss and ended the day 329 for three wickets with the magnificent Di Venuto starting when he left off last season and making 131 before being stumped. Coetzer who knows he will have to fight to keep his place in championship games was cautious but ended the day not out 123. Blenkenstein had looked promising bowled when 41 and Ian Blackwell started well with 13 when the day ended.
There were several ways to tune into commentary via the BBC sports, the ESPN Cricket information site and the Durham Club who also have a live comment chat line in operation for the first time. There were also long and interesting chats during the day with the Chairman of MCC, the Chairman of Durham, Geoff Boycott and Durham bowlers Mathew Claydon and Steve Harmison. It was disclosed that Abe Morkel the South African is to return for the 20 20 and hopefully redeem his first involvement two years ago. New Zealand big hitting batsman is likely to be the second overseas player but this has not been confirmed.
Sunderland, as expected failed miserably at Anfield where they have not scored a goal in the Premiership and usually lose. The result was 3.0 to home side. The gap between Sunderland and the third relegation spot is only 8 points with Hull having a game in hand so two losses and two wins to Hull could see the positions reversed. Newcastle tonight appeared determined to move towards guaranteeing their Premiership status next season before the end of Easter. Notts Forest in third place battle hard but their poor away form continued although they remain in third position. Notts Forest have to win all their remaining six games to finish with 88 points. Two wins from Newcastle’s remaining seven games and Notts Forest cannot catch them. Cardiff would have to win all seven games and Newcastle lose all their to end the season with the same number of points, but given even if this happened Newcastle would have lose their goal difference advantage of 29 to be forced into the playoffs. In fact the next home game on Easter Monday could see Newcastle’s return to the premiership, although if they win away on Saturday and Notts Forest lose, also away, they would become certainties with 86 points achieved and Forest only a possible 85. Monday’s game is also being televised.
No comments:
Post a Comment